Archive for novembre, 2009

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PAMELA ROSENKRANZ « LOW CORE DEEP BOOM »

Lundi, novembre 16th, 2009

BIETSCHHORN 1:2 000 by EDUARD IMHOF, 1938-1939

Lundi, novembre 16th, 2009

Bietschhorn 1:2 000 (Canton of Valais), 1938-1939. Modeled by Eduard Imhof and his students of topography. Measurements: 170 x 140 x 90 cm. (Imhof, Eduard O 9).

( Source : http://www.maps.ethz.ch – Via : http://butdoesitfloat.com )

SUN SAFE PLAY SYSTEMS by ASSOCIATION OF PLAY INDUSTRIES, NOTTINGHAMSHIRE, 2008

Dimanche, novembre 15th, 2009

( Source : Association of Play Industries )

MODENA by LUIGI GHIRRI, 1973

Jeudi, novembre 12th, 2009

Modena (1973)

( Source : http://pictureyear.blogspot.com )

TREEHUGGER LOOP

Mercredi, novembre 11th, 2009

( Source : http://loopable.wordpress.com )

JP.GANEM – CROSSED OVER LANDSCAPE

Mardi, novembre 10th, 2009

Baunat, Chaval, Delprat, Estor, Vitrac.
Due to the time and effort put into this project on behalf of participants (farmers, the association in charge of the project, etc.), this work managed to have a long life. Poor weather conditions during the sowing period caused delays that could have been fatal to the project.

The project consists of a 9-meter wide strip of sunflowers crossing over the landscape on the edge of a field, highlighting the beautiful irrigularity of the plot and unifying all the elements of the landscape.

http://www.jpganem.com/

ORPHEUS by KIM WILKIE, BOUGHTON HOUSE NORTHAMPTONSHIRE, UK, 2007-2009

Lundi, novembre 9th, 2009

( Source : http://www.kimwilkie.com )

LE PARC DU SAUSSET by MICHEL CORAJOUD, PLAINE SAINT DENIS, FRANCE, 1985

Dimanche, novembre 8th, 2009

( Source : http://corajoudmichel.nerim.net )

WE ARE STILL AND REFLECTIVE by MARTIN BOYCE, MUNSTER, GERMANY, 2007

Vendredi, novembre 6th, 2009

The unimpressive square in the former zoo site is covered with poured concrete slabs. 13 shapes form a pattern which has been adopted by the artist from French sculptors Jan and Joel Martel. The latter designed abstract concrete trees in the 1920s, presenting a “perfect unity of architecture and art” in Boyce’s opinion. Select interspaces of the concrete slabs were inlaid with brass strips made by the Scottish sculptor to form letters: We are still and reflective, as says the lettering. Being aware of the message set in the ground fills the desolate place with emotion and meaning.

KLUNK GAEDEN by GELITIN, 2009

Mercredi, novembre 4th, 2009

( Source : http://www.gelitin.net ; Via : vvork )


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